Paperblanks A4 21x29,7 cahier Early Cartography ruled

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Paperblanks A4 21x29,7  cahier Early Cartography ruled
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Paperblanks A4 21x29,7 cahier Early Cartography ruled

Reference: 9780349714349
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Evocative of an age when the heavens were alive with more than satellites, this cover design is a romantic’s delight. Frederik de Wit’s spectacular map of the heavens was published in the late 17th century and depicts the hemispheres with representations of the constellations and signs of the Zodiac.

Format: A4

Size: 210mm ? 297mm ? 5mm (8?" ? 11?" ? ?")

Interior: Lined

Page Count: 80 pages

Closure: None

Colour: Blue

Paper Weight (GSM): 100 gsm

Cover: Hardcover

Edge Printing: Yes

Binding Type: Saddle-stitched

  • 300 gsm decorative printed cover paper with rounded corners
  • Perforated pages for easy tear-out
  • 100 gsm cream-coloured, FSC-certified, acid-free sustainable forest paper
  • Saddle-stitch binding with thread colour matching the cover design
  • Decorative front endpapers showcasing the cover design and telling its story
  • Personal name plate

Design Name: Celestial Planisphere

Original Art: Celestial map (star chart)

Artist: Frederik de Wit

Era: 1670–1680

Region: The Netherlands

This design reproduces a 17th-century star chart by Dutch engraver and publisher Frederik de Wit. Populated with zodiacal creatures and vivid decorative elements, De Wit’s maps combined scientific precision with artistic beauty. His celestial planisphere not only delighted art lovers but also served as an essential navigational and scientific tool for seafarers and astronomers.

The chart also includes six diagrams of different conceptions of the universe, notably featuring the Copernican heliocentric theory.

To celebrate 25 years of Paperblanks, this design revisits the Early Cartography series first introduced in 1994. That original series reproduced masterpieces from the Dutch Golden Age — a period marked by flourishing trade, exploration, science, and art.

By re-releasing these designs, Paperblanks honours both the artistry of 17th-century mapmakers and its own history of creating notebooks that are “as useful as they are beautiful.”

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